Sachin is world’s highest run scorer

The stifling suspense and the prolonged wait finally came to an end as Sachin Ramesh Tendulkar  on Friday (October 17) emerged as the highest run-accumulator in Test cricket’s history, staking a legitimate claim as the best batsman cricket has known since Don Bradman, both aesthetically and statistically.

After his mission incomplete in Bangalore, Tendulkar redeemed himself in Mohali in his 152nd Test and West Indian legend Brian Lara was toppled from the highest Test run-accumulator’s pedestal. Test debutant Peter Siddle sent down the first ball of the post-tea session. Tendulkar glided it to third man for three runs to surpass Lara’s record of 11,953 runs and raise the bar even higher for posterity.

Relieved to have achieved the milestone that eluded him in Bangalore, an overwhelmed Tendulkar took the helmet off and looked upwards in a silent prayer and suddenly all the hostility surrounding the Indo-Australian Test series evaporated as Ricky Ponting and his men came to shake hands with him.

Sourav Ganguly walked down from the non-striker’s end, patting him on the achievement and firecrackers went off around the Punjab Cricket Association Stadium in a pre-Diwali celebration to mark the golden moment in the history of Indian cricket.

Tendulkar arrived here with 11,939 runs against his name from 151 Tests, averaging 54.02 hitting 39 centuries in the process. His ODI record put together– he tops the run-accumulator’s chart there too with 16,361 runs — Tendulkar has scored more than 25,000 international runs with the help of a mind boggling (42+39) 81 centuries and 138 half-centuries.

And all those runs flowed from the blade of someone who, rather reluctantly, swapped leather-flinging with willow-wielding after a blunt Dennis Lillee told the 12-year-old aspiring fast bowler in a Chennai camp that he had no hopes as a pacer. Or probably the blame actually lies with Waqar Younis.

Tendulkar was hit on the mouth by Waqar in his debut Test series in Pakistan with dripping blood drenching the shirt of the cuddly teen with curly hair. Nineteen long years since the incident and bowlers around the world continue to bleed even to this day for a folly of one of their predecessors. Worse, the torment is far from over.

Almost as a matter of revenge, Tendulkar lorded over the bowlers since that 1989 series, eclipsing virtually every batting record and piling on mountain of runs and setting new benchmarks for batsmanship in the process.

Impeccable technique, perfect temperament and unflinching commitment to his craft have made Tendulkar a paragon of all batting virtues and his single-minded determination and an incredible ability to insulate himself from anything unwarranted have only added to his aura.

With no real chink in his batting armour, bowling to him is often a trauma for the bowlers, although Shane Warne preferred to call it nightmare. Equipped with every shot in the book and endowed with the flair to blend routine with recherché, Tendulkar grew in stature with ever game before eventually attaining cult status. Don Bradman anointed him as his heir and euphoric Indians fans deified him.

He did burn his fingers with captaincy before renouncing it but the aura and idolatry remained intact. Unlike others, his name is not debated in selection meetings. They just enquire about his fitness. Loudmouth opponents like Australia refrain from sledging him, not as a favour but out of fear as it often brings out the best in Tendulkar. Bowlers fancy his scalp and whenever hit for a boundary, considers it comeuppance.

For his legion of fans, Tendulkar has been nothing sort of a messiah. Every time he walked out in the middle and took guard, he was expected to excel, regardless of opposition, condition and everything else. And on most occasions, Tendulkar did just that and his cult grew.

His impeccable demeanour on and off the field and a childish love for the game have endeared Tendulkar to all, making him a genuine ambassador of the game. With this new feather added to his already well-decorated cap, Tendulkar is now in a league of his own.

List of world’s top Test cricket batsmen after Sachin Tendulkar broke Brian Lara’s record to become the leading run scorer today (Name, country, Tests, runs, centuries):

Sachin Tendulkar (IND) 152* 11,955 39
Brian Lara (WIS) 131 11,953 34
Allan Border (AUS) 156 11,174 27
Steve Waugh (AUS) 168 10,927 32
Rahul Dravid (IND) 127* 10,341 25
Ricky Ponting (AUS) 121* 10,239 36
Sunil Gavaskar (IND) 125 10,122 34.

Besides Tendulkar, only Rahul Dravid and Ricky Ponting are the active cricketers in the list while Brian Lara, Allan Border, Steve Waugh and Sunil Gavaskar have already retired.

Max Payne Movie Review

85 minutes long, rated PG-13, released by Fox, directed by John Moore, and a screenplay based on a video game. That’s a recipe for disaster, and “Max Payne” is more than happy to fulfill its destiny as a noxious actioner devoid of humanity, elementary cinematic language, and thespian nuance. Once again the game world collides with the multiplex, and once again I question the point of taking an interactive experience and turning it into a conventional feature film, omitting the specificity that made the property viable in the first place.

Mourning his dead wife and baby, detective Max Payne (Mark Wahlberg) has spent the last three years hunting the killers who tore apart his idyllic life. After a chance meeting with a Russian prostitute (Olga Kurylenko), a clue is left behind by her gruesome death, leading Max closer to an energy drug that produces hallucinogenic visions of demons, the possible motive behind the slaughter of his family. Finding little help from former colleagues (Beau Bridges) and police officers (Chris “Ludacris” Bridges), Max forms an alliance with assassin Mona Sax (Mila Kunis), and the two set out to uncover the mastermind behind a recent rash of murders, possibly leading to the solution of Payne’s case.

What John Moore brings to the artistic table is visual fetishism. After “Behind Enemy Lines,” “Flight of the Phoenix,” and “The Omen” remake, Moore has proven himself a meticulous screen stylist, preferring a glossy moment of violence over anything resembling a legitimate emotional reaction. A former commercial director, Moore hasn’t bothered to warm up his touch over the years, leaving “Payne” a soulless exercise in empty calorie filmmaking; the background lighting and set design continually take precedence over the actors and ultimately whatever story manages to survive the creative malnourishment.

Moore treats “Payne” as another polished cinematographic playing field, imagining a world where the snow never stops falling (a noticeable continuity nightmare), the locations are ripe with noirish lighting, and the streets are guarded by psychological demons of the night. Moore demonstrates outstanding control over his environments, but holds no fundamental storytelling instincts, spending all of his time perfecting the shots while an entire film leisurely strolls past him with almost nothing to do but stand around and look confused. Moore fumbles “Payne” immediately, excessively clowning around with hackneyed camera and post-production technology, leading to a full mummification of the picture from the surplus of strained gimmickry.

I’ve only played the “Payne” video game once, and while it satisfied my home console blood thirst temporarily, it certainly didn’t scream out for a feature-length film adaptation. Screenwriter Beau Thorne is hopelessly lost trying to dream up a furious, elongated road for Payne, instead falling back on the most eye-rolling scripting clichés to pass time between the action beats Moore works himself into a lather to cover. Corporate conspiracies? Deceptive friendships? Gorgeous 90-pound female professional killers? Surely there could be more to the “Payne” universe than scraps from the “CSI: Miami” reject pile. Thorne barely eeks out a coherent tale of revenge for our hero, forgoing valiant scripting imagination to serve up the same old double-crosses and seedy criminal underworlds.

It should come as no surprise that Moore is terrible with actors as well, ignoring their needs to feed his own plastic precision. The cast is a fairly strange assortment of faces, with Chris O’Donnell, Donal Logue, and Nelly Furtado completing a miscasting arc that includes Kunis, Ludacris, and ultimately Wahlberg. Doing his now infamous tough-guy stance, Wahlberg sleepwalks through “Payne,” effectively erasing the reputable work that actor has been putting forth recently. It’s tough to fault Wahlberg for his blank stare, since he’s competing with Moore and his slackjawed lust for pointless slow-motion, shattering glass, and sexualized bullet discharges.

Coming on the heels of last year’s woeful “Hitman” adaptation (oddly, also starring Kurylenko), “Max Payne” further dents the questionable concept of the big screen video game celebration. Here’s the ultimate question: would you rather play out the violent wrath of Max Payne or watch some lousy filmmakers turn the world into mounds of formulaic drivel?

MADONNA’S DOOMED MARRIAGE

Madonna’s marriage was doomed after Guy Ritchie’s ”unsympathetic” reaction to her 2005 horse riding accident.

The turning point in the couple’s relationship came when the singer broke eight bones in the fall, after which Madonna claims she received a “complete lack of love and sympathy” from her husband according to friends.

Pals believe the accident – which happened as she was celebrating her 47th birthday at the couple’s Wiltshire home – caused many arguments between the couple and in one outburst after the incident Madonna reportedly asked Guy: “Did you ever really love me?”

A source told Britain’s The Sun newspaper: “From the moment Madonna fell from that horse, their marriage was doomed.”

“If you can pinpoint an exact event, Madonna’s horse-riding accident was it.”

“Every other row the couple had following that boiled down to what happened that summer.”

“Guy approached the whole thing in what she now calls, ‘A very British way.'”

“Instead of smothering her with sympathy he said, ‘Come on darling, you’re a tough bird. You’ll be back on the horse in no time.'”

“In Madonna’s mind, she could have been killed, and she wanted to be lavished with love and attention.”

“She was so furious at what she saw as Guy’s lack of support and cruelty that she told him she was wrong to marry him.”

Madonna broke four ribs, her collar bone, scapula and her left knuckle after falling from her horse.

After the accident, Madonna apparently confided to friends: “Guy can’t possibly be my soul mate.”

Friends of the star – who announced her divorce from Guy on Wednesday (Oct 15, 2008) – also claim she blames Guy’s attitude on his British public school upbringing and has ruled out the idea of ever dating another English man.

Madonna told a pal Guy’s action were “typical of emotionally-stunted British men.”

The 50-year-old singer is continuing on her US tour, while Guy, 40, remains in London and has immersed himself in filming his new project “Sherlock Holmes.”

The couple – who were married for almost eight years – are expected to divorce by Christmas.

BRANGELINA THINKING ABOUT ADOPTING AGAIN

Angelina Jolie says she and Brad Pitt are already thinking about adopting again.

The “Changeling” star – who has three-month-old twins, a biological two-year-old daughter and three adopted children with Brad – admits the couple have started planning the next addition to their family.

When asked if she and Brad are planning to adopt again “soon” Angelina nodded and said “Yeah.”

The 33-year-old beauty added on US TV series “The Today Show”: “You can’t even start the process until any new children are six months old, to understand how the new family has settled.”

Angelina also insists her current brood are never surprised by her decision to adopt children from around the world.

She added: “We have so many children that they’re not really stunned anymore when kids come home.”

“They’re all at that great age that they are not threatened. They’re independent. They don’t need mommy and daddy all the time.”

Angelina previously revealed she wants a “rainbow family” comprising kids from deprived countries worldwide.

SEXIEST MAN IN THE WORLD JOHNNY DEPP

Johnny Depp has been voted the sexiest man in the world.

The 45-year-old Hollywood heartthrob topped a poll by readers of Britain’s Cosmopolitan magazine to find their favorite hunk.

Depp beat George Clooney, 47, into second place, while “Brokeback Mountain” star Jake Gyllenhaal, 27, finished third.

Lizzi Hosking, Celebrity Director of Cosmopolitan, said: “Both George Clooney and Johnny Depp just keep getting better with age.”

The results of the poll favor older men, with only three male stars in the top 10 – Gyllenhaal, Justin Timberlake, 27, and James Mcavoy, 29 – under 30.

The oldest person on the list is former James Bond actor Pierce Brosnon, 55.

Actors comprise the majority of the top 25 places in the 100-strong list, with soccer superstar David Beckham the only non-thespian in the top 10.

The search was launched by the magazine after female readers demanded a “sexiest men” poll similar to the annual “100 sexiest women” list in men’s
magazine FHM.

Britain’s Cosmopolitan magazine’s World’s Sexiest Man poll top 25:
1. Johnny Depp, 45
2. George Clooney, 47
3. Jake Gyllenhaal, 27
4. Daniel Craig, 40
5. Brad Pitt, 44
6. James McAvoy, 29
7. Justin Timberlake, 27
8. Will Smith, 40
9. David Beckham, 33
10. Wentworth Miller, 36
11. Christian Bale, 34
12. Jonathan Rhys Meyers, 31
13. Take That: Gary Barlow, 37, Mark Owen, 36, Howard Donald, 40, and Jason Orange, 38
14. Ashton Kutcher, 30
15. Dermot O’Leary, 35
16. David Tennant, 37
17. Patrick Dempsey, 42
18. Clive Owen, 44
19. Pierce Brosnan, 55
20. Mark Ronson, 33
21. Gordon Ramsay, 41
22. Russell Brand, 33
23. Pharrell Williams, 35
24. Ryan Reynolds, 31
25. Olivier Martinez, 42

Alonso makes it two wins in a row in Japan

Renault’s Fernando Alonso took a superb victory in the Japanese Grand Prix as title rivals Lewis Hamilton and Felipe Massa collided in a dramatic race.

Hamilton made a poor start, ran off the road at the first corner and was tipped into a spin by Massa on lap two.

Both were given penalties for different incidents but Massa recovered to take seventh and cut Hamilton’s lead to five points with two races left.

Hamilton, his car damaged by Massa, was 12th and out of the points.

Massa finished eighth on the road, but was promoted to seventh when Toro Rosso’s Sebastien Bourdais was penalised 25 seconds, demoting him to 12th, for a collision with the Brazilian on lap 51.

Hamilton is still in a strong position but the Englishman will have to cut out the mistakes that have characterised his season if he is not to lose the championship for the second year in a row.

“What can I say? it was a bad day, I’ll move on to next week [in China],” said Hamilton.

“I went wide at turn one, it was a mistake, and then Felipe hit me off, I went on the inside and he broke left and hit me pretty hard.”  I cannot believe it right now and back-to-back wins is a great feeling – it is completely amazing

Massa is not Hamilton’s only title rival. BMW Sauber’s Robert Kubica  who finished second in Japan is 12 points off the lead and cannot be ruled out.

“Twelve points behind the leader with two races to go – anything can happen,” Kubica said.

Hamilton’s problems began at the very start of the race as he got off the line slowly from pole position in his McLaren and then went too far in trying to make amends at the first corner.

The move would earn Hamilton a penalty for forcing another car off the track, but it also demoted him to sixth place, right behind Massa.

The Englishman tried to pass the Ferrari into the Turn 10/11 chicane on the second lap and the two cars ended up colliding.

Massa was given his own penalty for causing that collision, and, once they had taken their drive-through penalties, the two title rivals ended up at the back of the field – with Massa a few seconds ahead.

Massa was penalised for this – but still cut Hamilton’s championship lead

The chaos among the drivers of the leading teams left Kubica in the lead but he lost it to Alonso when the Spaniard made his first pit stop a lap later than the Pole.

Alonso said he asked the team to get him out in front of Kubica but doing so meant he had four laps’ less fuel than the BMW for the middle stint of the race.

It was one of the Spaniard’s greatest races and secured him and Renault an unexpected second win in a row.

“We were second when we stopped for the first time and I wanted to exit the pits in front of Robert,” Alonso said.

Nelson Piquet finished fourth for Renault, with Toyota’s Jarno Trulli next, followed by the Toro Rossos of Bourdais and Sebastian Vettel and Massa.

Massa, the fastest man on the track in the closing stages of the race, lost ground in the incident with Bourdais but recovered to grab eighth on the road from Red Bull’s Mark Webber on the penultimate lap.

BODY OF LIES – Movie Review

“Body of Lies” is a certain type of movie designed for a certain type of moviegoer. I think the tagline describes the movie perfectly, actually. “Trust no one. Deceive everyone.” And therein lies the biggest asset (and liability) to the production: no matter who the audience identifies with (and subsequently roots for), there is always a lingering question of their inherent “goodness.” Since the film has no actual interest in the moral complexities of intelligence gathering in the post-9/11 world, we´re left with Leonardo DiCaprio running around the Middle East for two hours, with Russell Crowe lying in his ear.

Roger Ferris (DiCaprio) heads up intelligence in the Far East for the CIA, taking him to various hot spots all around the region. When a new extremist group starts attacking western cities, Ferris is called in by his boss in Washington, D.C. Ed Hoffman (Crowe) to take the reigns in Jordan. However, when he gets there, Ferris becomes embroiled in a cat and mouse game where the objective is information and the currency is personal integrity.
At some point, the studios will figure out exactly how to treat the current conflict in Iraq in fiction films.

That point is not now. None of the major productions about world events over the past couple of years have produced any kind of buzz. Not “In the Valley of Elah” (aside from the Oscar nomination for Tommy Lee Jones). Not “Redacted.” Not “The Kingdom” or “Stop-Loss.” Each film has tried a different take on the information to no avail. So what made director Ridley Scott and one of the most socially conscious (and easily overlooked actors in DiCaprio) think the mundane work of intelligence gathering would turn the audience´s collective head?
To be fair, “Body of Lies” isn´t a snoozer. Actually, with appropriate expectations, it´s a solid movie which doubles down on the two lead actors. Without them and Scott, this film doesn´t get made. Why? There´s more action in a standard episode of “24” than in this 128 minute dialogue driven, listen up or you´ll be lost, connect the dots drama. And there is nothing wrong with that kind of film, mind you. It just won´t generate ticket sales.

But back to the movie itself. To its credit, the screenplay (adapted from a novel by David Ignatius by “The Departed” Oscar winner William Monahan) refuses to paint any side of the ongoing conflict as stereotypically good or bad. Americans lie. Jordanians lie. Muslims kill civilians. It is this quality which allows “Body of Lies” to rise above the normal calls of preachy left wing Hollywood. (Yes, most of the lying is instigated by Hoffman and he falls into the ugly American stereotype.)

The script, though, falls apart on itself in the last third of the film when it moves from being about the politics of intelligence to concerning itself with a love story. In some way, the ending makes sense for a film about an ongoing event. How does it end? It´s not with a military victory; that would be disingenuous. And it can´t be with a military defeat for the same reason. So the focus necessarily comes off the bigger picture, focusing on a microcosm of that world. The problem is that the events we follow aren´t at all riveting. Espionage, setting up fake identities…that´s where the movie should have kept its focus.

Part of the issue is DiCaprio´s lack of chemistry with Golshifteh Farahani, who plays love interest Aisha. Simply, we don´t connect with them on any level. She´s a nurse and patches him up after an encounter with dogs. That makes him instantly smitten with her? It´s as if a part for a female was shoehorned into the story at some point in order to make sure both genders were represented. Whether or not that´s the case, that´s what it feels like.

The film jumps between locations as a matter of course, with Hoffman stationed mostly in the United States. He turns into a major problem for the movie. To put two talented actors in the same room or in the same location should always be the ultimate goal in order to see how they play off one another. But when they are only seen talking to one another over the phone, no tension is built and we don´t get a sense of who they are in relation to each other. It´s a drab event to watch. (Their scenes together-and with Mark Strong as a Jordanian intelligence chief work precisely because they are together, even if the interaction doesn´t exactly light up the screen.) Of no help is Crowe being given nothing of any importance or interest to do for the entire length of the movie, forcing DiCaprio to keep the action moving on his own.

At some point, “Body of Lies” forgets itself. After two different vicious bombings, the film forgets terrorist leaders promised a campaign of terror across Europe and America. Even the finale, where every piece of information the audience needs to put the plot together, runs out of steam. Not so much because of the plot twists and people involved, but because the one person who demanded the truth turns out to be a liar. It´s like Ferris comments throughout the movie: who can he believe?

For all the talent involved-including strong supporting performances from Strong and Farahani, among others-and location shooting around the world, “Body of Lies” tries to be something different and manages to do so, but at what penalty? The movie is overly talky without managing to actually have a message (aside from, perhaps, there are no innocent people in the world or everyone lies). Despite the weight of expectations, it still rates a 6 out of 10. Just be prepared for what you´re getting.

Director : Ridley Scott

cast

Roger Ferris – Leonardo DiCaprio
Ed Hoffman – Russell Crowe
Hani Salaam – Mark Strong
Aisha – Golshifteh Farahani
Bassam – Oscar Isaac
Al-Saleem – Alon Aboutboul
Garland – Simon McBurney
Skip – Vince Colosimo
Omar Sadiki – Ali Suliman
Nizar – Mehdi Nebbou
Holiday – Michael Gaston
Mustafa Karami – Kais Nashif
Marwan – Jameel Khoury
Aisha’s Sister Cala – Lubna Azabal

Kaadhalil Vizhundhen song Lyrics

Song Title : naaka mukka
Music Director : Vijay Anthony
Singer/s: Nakul,Chinnaponnu
Lyricist: P.V.Prasad

yaei
adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

yaei
maadu setha manushan thinnan
tholai vachi meLam katti

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

aah..
ah ha aah

hei
kunjaramma vootula
kozhi kozhambu kothikudhu

elephantu gateula
kikku matter vikkuthu

kellysu roatula
puLLi maanu nikkuthu

vaetaiyaadi pudingada
vaega vachi thinnungada

engaeda engaeda aaLa vudunga thaevuda

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

haah
aah aah
yaei
ehh ehhh
yaei appadi podu
yae aah haa
ehh ehhh

yaei kuthaangallu pottu vechi
ola kudisai nikkuthu

nattangallu pottu vachi
naathangaalu irukuthu

achacho moonu bOgam
oru bOgam achuda

kaayavecha nellu ippo
kadaitheruvae pochuda

nattu vacha naathu ippo
karuvaada aachuda

arai vayiru kaa vayiru
pasi thaan
pattini
saavu thaan
ethini
engaeda engaeda
adingada adingada
rajavuku kaekatum

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

haah
hei ohh
aah haah
oh ohhh

thorai
thorai
thorai
thorai

kirukirukku raatanam
thayala suthi oduthu

paraparapara pattanam
aantha pOla vizhikudhu

veLLi kaasu vaenumda
kannai kaatu thaevuda

adingada adingada

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

aah haa

haei appadi thaan

haei oh ho

haei ippadi thaan

piru piru piru meeteru
engileesu matteru

raathirikku quarteru
vidinjichuruchu enthiru

adradraa
adradraa
adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka
naaka mukka

adradraa
naaka mukka
naaka mukka
naaka mukka

naaka mukka
naaka mukka
naaka mukka
naaka mukka

haa haan eh eh

haa haan eh eh

naaka mukka
naaka mukka
naaka mukka
naa

thorai

naaka mukka
naaka mukka
naaka mukka
naa

thorai

naaka mukka
naaka mukka
naaka mukka
naa

thorai

naaka mukka
naaka mukka
naaka mukka
naa

thorai
——————————

Song Title : aen enna sonnaen
Music Director : Vijay Anthony
Singer/s: Nidheesh Gopalan
Lyricist: P.V.Prasad

yaen enna sonnaen
aedhu sonnaen
aen kaanamal sendru vittaai?
naan enna sonnaen
aedhu sonnaen
aen kaanamal sendru vittaai?

yaen enna sonnaen
aedhu sonnaen
aen kaanamal sendru vittaai?
naan enna sonnaen
aedhu sonnaen
aen kaanamal sendru vittaai?

solvayO
selvaayO
————————————
Song Title : unakkena naan
Music Director : Vijay Anthony
Singer/s: Ramya,Vijay Anthony
Lyricist: Thamarai

F:
unakkena naan
enakkena nee
ninaikaiyil innikudhae
udallena naan
uyirenna nee
iruppadhu pidikkudhae

unadhuyiraai enadhuyirum
ulavida thudikkudhae

thani oru naan thani oru nee
ninaikkavum valikkudhae

idhayaththai
idhu kaadhalaai
idhu kaadhalaai
idamaatrugiraai
irukkumoru thunbaththai
kudi aetrinaai
pudhumaigaL thandhu
maghizchchiyil ennai aazhththa parisugaL thaedi pidippaai
kasandhidum seidhi vandhaal
pagirndhida pakkam nee iruppaai
noi yena konjam paduththaal
thaai ena maari aNaippaai
unadhu kaadhalil vizhundhaynae

aruginil vaa aruginil vaa
iru vizhi valikkudhae
unadhuyiril enadhuyirai
ootrida thudikkudhae
naanena nee
nee ena naan
iNaindhida pidikkudhae
pudhu ulagam pudhu saragam
valiththida thavikkudhae
mazhaigaiyil kaatrOdu
boogambam vandhaalumae
unadhumadi
naan thoongum veedagumae
aruginil vandhu
madiyinil saaindhu paduthaal
melliya kuralil isaipaai
maarbinil mugaththai pudhaiththaal
koondhalai kOdhi koduppaai
aruginil mayangi kidandhaal
asaindhida kooda maruppaai
unadhu kaadhalil vizhundhaen
maRanamay
bayandhidum dhooraththil
naamum vaazhgindrOm
manidha nilai thaandi pOgirOm
ini nammakendrum
pirivillaiyae
ohohoohooho…
pirivillaiyae

M:
enakkena edhuvum seidhaai
unakkena enna naan seivaen?
pongidum nenjin uNarvai
sollavum vaarththai pOdhaadhae
vizhigaLin oaram thuLirkkum
oru thuLi neerae sollattum
unadhu kaadhalil vizhundhaen

F:
unakkena naan enakkena nee
ninaikaiyil inikkudhae
udalenna naan uyirenna nee
irupadhu pidikkudhae
hey hey hey.
—————————————-
Song Title : puyalae purappadu
Music Director : Vijay Anthony
Singer/s: Ramya,Megha,Relina,Sheeba
Lyricist: Piriyan

puyalae purappadu
vediyaai vedithidu
unakku thadai yillai
ulagilae

thisaigaL podi poda
edhiri bayappada
unakku maerkum vidiyalae

dole dole dole dole
dole dole dole dole
dole dole dole dole
naachae naachae naachae

dole dole dole dole
dole dole dole dole
dole dole dole dole
naachae naachae naachae

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso

puyalae purappadu
vediyaai vedithidu
unakku thadai yillai
ulagilae

thisaigaL podi poda
edhiri bayappada
unakku maerkum vidiyalae

will shake your back in five seconds

one
two
three
four

rock and go
rock and go
rock and go
rock and go

oh
quintel
oh
quintel
oh
quintel
oh oh ha oh
tiamoh
oh
shamyo
oh
aahh
rock and dream now

jigu jigu jambo jambo
jig
jigu jigu jambo jambo jambo
jigu jigu jambo
jigu jigu jambo
jigu jigu jambo
jigu jambo

jigu jigu jambo jambo
jig
jigu jigu jambo jambo jambo
jigu jigu jambo
jigu jigu jambo
jigu jigu jambo
jigu jambo

jigu jigu jambo jambo
jig
jigu jigu jambo jambo jambo
jigu jigu jambo
jigu jigu jambo
jigu jigu jambo
jigu jambo

atom bombai pOttalum
thanmaanathai virkathae
nikka vaichu suttaalum
sonna sollu maarathae
aNai katti vaichaalum pooti vaichu thachaalum
samuthiram saerum varai aathu thanni nikkathae
software vaithu maatrinaalum
silver goldaai maarathae
boomi pandhu ennaikumae
reversela suthaathae

viNveLikku pakkathula veedu katti paarthuda thaan
thudikkira vayasukku galaxyum pathaathae
marathin vidhai mella paaraigaLai udaikkum
mithakkum maegathai

siragugaL kizhikkum

oh haa
quintel
alaek alaek alaeka alaek

puyalae purappadu
vediyaai vedithidu
unakku thadai yillai
ulagilae

thisaigaL podi poda
edhiri bayappada
unakku maerkum vidiyalae

uh haa
shaeya path
uh haa
shaeya path
uhh… uhhhh …uhhhh..haaa
laega laega laega laega

thousand candles yaetrinaalum
sun-nukinai illaiye
sunflower torch lightkum
malarvathu illaiyae
ishtapattu muyarchi senji
kashtapattu payirchi panni
tholviyai thaan thorkadichu uchimaelae yaeru kannu
bill gates oda mooLaikkuLLae
extra fitting illaiyae
japan naadu jeyichathellam
lucku onnum illaiyae
unakkuLLum shakthi uNdu saathikka thaan vazhi uNdu
aaravathu aRivai nee innum konjam use paNNu
theepOri thuLiyaalae kaadu vendhu thaNiyum
thuNinthu nee sella

imayamum paNiyum

puyalae purappadu
vediyaai vedithidu
unakku thadai yillai
ulagilae (ulagilae)

thisaigaL podi poda
edhiri bayappada
unakku maerkum vidiyalae (vidiyalae)

dole dole dole dole
dole dole dole dole
dole dole dole dole
naachae naachae naachae

dole dole dole dole
dole dole dole dole
dole dole dole dole
naachae naachae naachae

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso

where in the mambo
there in the mikaso
————————————

Song Title : thozhiyaa en kaadhaliyaa
Music Director : Vijay Anthony
Singer/s: Megha,Harish Raghavendra,Chorus,Sri Charan

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

madi meedhu
thoongacholgiraai
thOL meedhu
saainthuk kOLgiraai
nerungi vanthaal
naNban engiraai
oh ho Ho
peNNae

yaenadi ennai kolgiraai
uyir varai sendRu
thingiRaai

padukkai mael naan
uruginaen
en kavithaiyae
enai
kaadhal seivaai

kanavilum nee varugiraai
en imaigaLai thottu
thiNikkiraai
iravellam seththu pizhaikkiraen
un bathil enna
adhai neeyae sol nee

==

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

===

lets get it down
lets me give my heart to you
my love is just and true
want to take you on this
vaccum
how you just on the sun
morning

Give it up the cool
remember because you
just get me get me
Get hold of this
I wil get the truth truth

First let me tell you
who you are
girl you’re
never never never
you didn’t go there
i am at shock
don’t chill the spine now

===

oru thuLi neer vaeNdi nindRaen
adai mazhai thanthu ennai mithakka vittaai
siluvaigaL naan sumanthu nindRaen
sugangaLai thanthu ennai
nimira vaiththaai

vizhigaL Oram
neer thuLiyai
magizchi thanthu
ularavaiththaai

paalai vanaththil
pookkaL thanthu
sorgangaLai kannarugil kaatinaai

karuppu niRathil
kanavu kaNdaen
kaalai naeram
iravu kaNdaen

aiynthu
niRaththin thaevathaiyae
vaNNangaLai thanthu vittu
ennarugil vanthu nillu

===

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

==

thana nam
chananam chananam chananam
chaananam
chaanananaa

nam
chananam chananam chananam
chaanananam
chaanananaa

nam
chananam chananam chananam
chaananam
chaanananaa

nam
chananam chananam chananam
chaanananam
chaanananaa

===

iruttukuLLae
thaniththu nindRaen
minimini poochigaL mithakka vittaai
thani aRaiyil adainthu vittaen
siragugaL koduththennai
paRakka vittaai

alaigaL adiththu
tholainthu vidum
theevaip pOla
maatik kOndaen

iruthi chadangil
mithigaL padum
poovai urasagaiyilae

daevan boomikku varuvathillai
thaayai bathilukku
anuppi vaiththaan
thaayum ingu enakku illai
enakoru thaaiyai
avan mattum koNdu
thanthu vittaan

===

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

===

madi meedhu
thoongacholgiraai
thOL meedhu
saainthuk kOLgiraai
nerungi vanthaal
naNban engiraai
oh ho ho
peNNae

yaenadi ennai kolgiraai
uyir varai sendRu
thingiRaai

padukkai mael naan
uruginaen
en kavithaiyae
enai
kaadhal seivaai

kanavilum nee varugiraai
en imaigaLai thottu
thiNikkiraai
iravellam seththu pizhaikkiRaen
un bathil enna
adhai neeyae sol nee

===

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

thozhiyaa
en kaadhaliya
yaaradi en kaNNae

===

JAMIE LYNN PREGNANT AGAIN

Jamie Lynn Spears is pregnant again, it has been claimed.

The 17-year-old star, who gave birth to daughter Maddie Briann in June, was reportedly shocked to discover she is expecting her second child and has been trying to keep it a secret.

A source told National Enquirer magazine: “Jamie Lynn is about eight weeks pregnant, and she and her mom Lynne are hysterical.”

“Neither of them knows what to do, but for now they’re trying to keep the news from getting out.”

“Jamie Lynn believed she couldn’t get pregnant while she was breastfeeding.”

She’d expected to have her period by early September, but a home pregnancy test came back positive and Jamie Lynn cried her eyes out.

“Lynne was livid when she found out. She told Jamie Lynn that she thought she was smarter than that and she couldn’t believe that she hadn’t learned her lesson.”

It has been claimed the “Zoey 101” star’s friends and family are urging her to terminate the pregnancy.

Meanwhile, Jamie Lynn has dismissed rumors her fiance Casey Aldridge got Kelli Dawson pregnant after they had an affair.

She told America’s OK! magazine: “That is just completely fabricated. He never had an intimate relation with her, so how would that be possible?”

“Around here, that particular girl is known to make up stories. It hurt me to hear those things.”

“My family know if I were in a relationship like that, I wouldn’t put up with it. They support me, and they support Casey also.”

JOLIE NEVER WANTED TO CONCEIVE NATURALLY UNTIL SHE MET PITT

Angelina Jolie never wanted to conceive naturally until she met partner  Brad Pitt

The 33-year-old actress – who has three adopted children Maddox, Pax and Zahara, two-year-old daughter Shiloh and two-month-old twins Vivienne and Knox with Brad – had not considered getting pregnant until she fell in love with 44-year-old Brad.

She said: “I think one of the life changing things that Brad did for me, one of many, is that I was absolutely never going to get pregnant.”

“I never felt that it was the right thing to do.”

“I suppose I just looked at him and loved him and just felt open to getting pregnant.”

“I suddenly wanted to. It’s one of those things you can’t explain.”

“I wouldn’t trade that experience for the world. It taught me a lot about life, just the process of it, and now we have three other Beautiful children that wouldn’t otherwise be here.”

Angelina’s interview accompanies a series of intimate shots of the actress taken by Brad.

In one of the black and white pictures, which features on the front of W magazine, Angelina is seen breastfeeding one of the twins.

Angelina revealed she was comfortable showing off her post-pregnancy body in the shots, because Brad made her feel “sexy.”

She added: “I’m with a man who’s evolved enough to look at my body and see it as more beautiful, because of the journey it has taken and what it has created.”

“He genuinely sees it that way. So I genuinely feel even sexier.”